The House Of Lady Blues

Lady Blues Jackie Amos is the newest style since the 1940's her influences such as Bessie Smith, Billy Holiday, Lenis Guess, Langston Hughes and many who came before her, in her unique style Lady Blues the soul of soul impacts the black roots of blues, Jacqueline favorite phase, I came through the back door, but now I am returning in the front. My Mama told me I was a country girl, I took the train on the silver Media, from the south, I don milk many cows, and road on the back of the bus, but I have arrived to another level of black jazz, for those who were before me, I must keep the torch burning, I am the new arrival from the past, Lady Blues Jackie have worked the fields of blues, and milked the clubs of Brooklyn's house, but I have been born again, on the back of the south,

Lady Blues states nobody knows my name, buy my compositions shall compliment the sounds of black roots. The blues was born the motherland of suffering and pain, oh how the poetic revolution, when the Deep South l edit Movies: and the new halls of New York, play me some of those down home blues, I will take you back to the woods of the south, through the mystery of blues, the cries of the pain that centered in man hearts, I have arrived to bring back that down home south. Lady Blues first gained widespread recognition Tar Hill Lounge, Cave, Fulton Terrace, Sugar Hill, Many of her compositions, " Lodi Pop, "I Got A Sugar Daddy", "He May Not Be Very Fancy", "Creeping," Lady Blues also a publish author and International Artist, this is just some of her contributions to the world of arts, Lady Blues said, I am the statue of the invisible blues, all that comes through me have lived and pass on, but though the synopsis of rebirth, I shall cloak the voices of black roots.Lady Blues Jackie Amos is the newest style since the 1940's her influences such as Bessie Smith, Billy Holiday, Langston Hughes and many who came before her, in her unique style Lady Blues the soul of soul impacts the black roots of blues, Jacquel edit TV: feeling the soul that lives within her, her vocal style at times resemble Bessie Smith, and many masters of the blues.

Lady Blues also creates a forum the back door blues. I take on a new preservation of modern blues and jazz, with a touch of honey that sticks to my ribs, the legends that lives through me, The symposium preceded a performance of blues related to the compositions of her poetry, the pain of pleasure one might say sadistic in the format of relevance, the association of pain and pleasure, Lady Blues Jackie have been performing since the age of 19 relating to the stories of her family tree, I think she is genuinely. Books: Author Jacqueline Amos takes you on a Journey the foundation of aesthetics; Jacqueline’s arts exhibit a historical consciousness typical of southern literature. Implementing in her voice value religious or moral interpretations of the world, is loyal to family, friends, and community, and unavoidably confronts a heritage of slavery and racial struggle.


Mama I want to sing, Bessie smith begins to grown At Last my love has come along, and the sweet smell of Lena Horn play that jazz, and the mountain to freedom when she walked through the front door, I sit with my horn, blowing on until the morning dawn, emphasize with the sound of black Jazz, I herd a hum above the moon, I played the script until my fingers bleed, oh the sway of the jazz, completely took me to another side of town, Droning a drowsy syncopated note, tapping my feet to the beat, a bottle of bud, and figurate indulge, but their was no interaction in my solitude of jazz, Louie Armstrong, don’t blame Me if I skip a beat Billy sings the blues, High hill shoes, Flower that Dazzle as she sings the blues, I crossed the river when the monk took a glitter, and the horn blue without it touching my lip. I bend down and the crowd began to cry, play that horn until the air is no more, the location that I stood before the crowd, and the blue lights were flickering About Me: Life is what you make it, in reality there are good and bad, but one must take control, or control will take over you, and believe me if it is negative, it will become destructive, never put off today for tomorrow, because that is not a reality, it is call borrowed time, enjoy life love and peace, this is the ultimate goal for success in all concepts of life, judge me not on earth but judge me at the bar of God. Take each day as your last, life is beautiful be equally yoke, while spending time in such toxic environments will only toxin the mind, but if the energy is positive every thing you touch shall be a blessing, follow not man lead self, believe in only one the most high God,
never put all your faith in nothing worldly it will only disappoint, give a little but hold back some, so in case the bounty fail, you can always take control with destruction. Love God first and he will love you as well.

Sticky Boy Production, these are just some of the entertainers Lady Blues perform with. Blues Man Melvin Williams, Ajax crown height affairs, Jimmy Hill Al Starzz band, Late Rose Melody, Late Judi Brown Eyes, The Late Alvin Thomas At The Fulton Terrace, Late Earl Dugger, Jap Dugger, Freddie Jackson, T.C,
Wayne Betancourt, Bass, Chango Jackson, Drums, formally with Roy Ayers. Bobby Watson, Percussionist and Vocalist, formally with Bimbo Jet. Randy Gaffaney, Guitar, formally with Clarence Carter. Arthur Green, Saxophone, formally with the Intruders. Joe Williams, Saxophone, formally with Baby Washington. Charles Waldron, Trumpet, formally with Wilson Pickett. Jimmy Hill , Keyboards and Vocalist, formally with the Intruders.

THE EDUCATION OF BLUES LADY JACKIE AMOS

The southern blues is the style of lady blues; her dynamic style portrays Billy Holliday, Bessie Smith, Etta James, Earthier Kit," My man Doesn't Love Me" Billy Holiday, and many exceptional lady blues singers, her high light is differently original, with that misty forte of blues aesthetics " Many say she is the resurrection of the past. Lady blues Jackie compose on the rhythm of the bars of notes; the melody instantly forms a historic symphony of blues. Lady Blues portray the 40's in her conservatory of originals, feeling the soul that lives within her, her vocal style at times resemble Bessie Smith, and many masters of the blues. Lady Blues also creates a forum the back door blues.

Jacqueline inspirations were Billy Holiday, Bessie Smith, B.B King, many celebrities of blues, Jacqueline states I lived around the components of blues, simplified through the history of my family genes, I take on a new preservation of modern blues and jazz, with a touch of honey that sticks to my ribs, the legends that lives through me, The symposium preceded a performance of blues related to the compositions of her poetry, the pain of pleasure one might say sadistic in the format of relevance, the association of pain and pleasure, Lady Blues Jackie have been performing since the age of 19 relating to the stories of her family tree;

I think she is genuinely please to release the sounds that are instill through birth, Jacqueline speaks of her auntie Louise Corley, she perform in the clubs of Harlem, which she has now passed on, she speaks of the time when she watched her auntie perform for her family, hoping that one day she could do the same, her father a southern a lover of music as well as her mother, it runs through the genes, as well as her sister, but the voices of originality presents the blues as she was back in the 1940's as well as her poetic compositions.

Mama Sings the Blues A Night in Harlem Black gals with the greasy curl; High top shoes, black man, with The platted suits, gold cuffs With shinning puffs, Black gal's With Flower in the hair, Black man, culture vise; Black power pride, sweet Black jazz, with the taste Of Louie Armstrong;


Black man with the swinging Watch, laid out With the conquer lean hair; Flashing lights, cigarettes that Linger in the air, Playing that black jazz Feathers in the derby hats, Cotton club comes to Harlem; Play that black jazz Billie holiday sings My man don't love me Any more, as the horns Play, singing mama he Don't feel my pain. Bill Robinson smiling, Blues dancing, Josephine, royal, Black girl flowing with her dance, Big bosom black gal, as she sings the down home blues.


Black gals dancing The camels walk with fingers pointing in the air; Charleston let mama sing; The black girls throw their legs In the air, playing that blues Come on down with the Mix, mama done song that Black jazz, sweet incenses; lets Get it own down here. Sweet smells of Harlem Through The Back Door Aren't al dat, boys on the band stand; boy play that horn, waiting for de'nit to come, down with black boy blues, playing for the white folks, back door to the stage front, jazz my mind as I take a blow, white powder enhance my flow,, high top pants, striped jacket, collar turned up so, greasy hair, conquer lean, white folks , white table cloths, playing in the house, where the white folks go. Play that jazz, play that jazz, play the blues, on de' keyboard.